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My new favorite painting.

I, generally speaking, love art. I wish I understood it better; sometimes I can articulate its effects on me and what I think; at other times, that's tough for me. This is an attempt at understanding art, if only by trying to understand my experience of it.¹ The title of this post is a bit funny, tho: "New" is misleading—I first drafted it 6 years ago in Dec 2017, updated it in Aug 2018, and revised it a bit this week (Feb 2024). I'll write more about visual art and my ability to interact with it another time, but here's what I've got for now. So I finally went. There's a show right now at the Phillips Collection on Pierre-Auguste Renoir, my longtime favorite artist, and I went. I got to see more of his work at one time than I ever have before. And I found myself a new favorite painting among them—not just a favorite out of Renoir's work, but perhaps a favorite among all art I will ever see. The exhibit itself explores the story behind one of Renoir...

His way with faces.

I have a favorite painter. I even remember the exact moment I discovered him. Well, not exactly --maybe not the date or time or the context beyond barest detail. But I do remember it, mostly, and that it--and his work--still moves me. I was in Boston for one reason or another, and I went to the Fogg museum, for one reason or another. I remember it being an impressive building, but that's about it; it was right before some major renovations, so who knows what it's like now. That being said, philistine that I am (or was, hopefully), I can't remember anything I saw there. Except that one painting--one painting and one pivotal moment I can otherwise only slightly remember. It was Renoir. It was always going to be Renoir, it seems now. It was his self-portrait  at age 35. Something about his face and its intimacy, its immediacy; something about the way it popped, without leaping, from out of those drab colors. It caught my eye, and I was transfixed. I've never stopped ...